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Lost Songs

BROTHER
SUNSET
SOUTH WEST
SONG TO THE MAN OF ENGLAND
REFUGEE
HIGHER WALL

FAR BETTER THING
RAINY NIGHT 65
BD7
F#NY
SEE YOU IN HELL
FREEDOM '91
WANTING
STILL HERE
IF YOU CAN'T SAVE ME
FALLING
TREES IN WINTER
KNIFE
BURNING SEASON
COMING UP
OVER THE WIRE (French Remix)

 

 

 

1. BROTHER (Sullivan/Heaton/Nelson 1995)

It's been a long dry season in tinderbox town
And the ghetto cars go cruising up and down and round and round
With tinted windows and the screech of tires
Poverty likes to ride in the best disguise
The boys get bored, set fire to the sheds at the end of my street
The thick black smoke rises up into the dusk
Sirens scream out across the hills
Turn into the close as the boys all swagger.
I've got no quarrel with you brother
But the war is getting closer
Down at the Union there we stood
And embraced like brothers should
The fire catches when your back is turned
And now we watch as the city burns
And now we watch as the city burns

We used to joke about the colour of our skins
We used to joke about the names of God
But now the racist cops come round
Put your cousin up against the wall
A little crowd gathers round and takes up sides
The white trash come out of their doorways and mutter
There's a macho stand off with sullen faces all around
And all the middle ground is washing away
And no one really wants it there anyway
It's a time of pack dogs brother
And the war's getting closer
Down at the Union there we stood
And embraced like brothers should
The fire catches when your back is turned
And now we watch as the city burns
And now we watch as the city burns

And I, I accuse you, you want so much
But you give nothing of yourself
And I, I believe you, you want so much
But you keep nothing of yourself

"We were in a German hotel room before performing at a festival when rioting in Bradford suddenly appeard on the TV screen. It was a bad and tense summer throughout the city and the song was born out of an incident at the end of Justin's street."

Source: LS Booklet

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2. SUNSET (Sullivan 1995)

Coming in at night all the desert highways
Crackle with the static of a thousand little radios
Everyone talking, no-one listening
Well by now I should expect that
Down into the city I smell artificial green
A glasshouse full of growing things
That are not what they seem to be
Look away, look away, the procession's leaving town
The emperor rides naked and no-one gives a damn
That was the last time

I get a morbid satisfaction watching Sunset in all its degradation
We were in a restaurant for wannabes clinking glasses in celebration
We had to leave before something bad occurred and Niko grabbed the keys
We drove out in the early morning with the radio jammed on R'n'B
Drive away, drive away, and he turned to me and smiled
Said, how does it feel to be living through the Fall of Rome
And I said it's beginning to feel OK
The last time

Well I gave you all my money
I'm ashamed to remember now just why I did that
I got bitter, I got jealous, but not as much as you
Do you understand that?
Ten hours drifting half awake and finally touching down
I went out in the rainy morning and kissed the blessed ground
Coming home, coming home and the most of it is done
And the worst of us is left behind in the place where it belongs
That was, the last time

"Written and demoed for Thunder & Consolation, this has not yet been formally released but exists on bootlegged versions of said demos and has been played live, on the odd occasion, by Justin solo."

Source: The Complete NMA Lyrics Pages

 

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3. SOUTWEST (Sullivan 1996)

If I could save you, I surely would;
I'd take the world with you, the way we should.
I'd drown your violence in a sea of blood;
I'd drown the pain for you in the breaking waves,
I'd crown your innocence with the golden sun,
I'd drown your violence in a sea of blood . . .

South-west bound on the winding A-roads - days of scorched brown rolling hills
and ripened fields, down to where the sun glistens on the sea beneath Pentire.
Diamond light, evenings becoming cool and fresh as the seasons change. I can't
wait to see you again - feels like something good is going to happen, as if reborn
in the last days of summer, burned to the core and then somehow, made young
once more - as if you were going to be the one crowned Harvest Queen.
All the black will fade away in glory days, and Indian summer;
you and I, sun and moon, different paths, always together;
all the black will fade away in the sharpened days that will soon be coming.
All love and change is one, all love and change forever . . .
And I can feel it falling away,
and I can feel it falling away from you . . .

"Only official release as live extra track on limited edition CD single in Germany for Wonderful Way To Go and as a bonus track on the UK version of the same single."

Source: The Complete NMA Lyrics Pages

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4. SONG TO THE MAN OF ENGLAND(Shelley/Sullivan/Heaton)

Men of England, wherefore plough
For the lord who lay you low?
Wherefore weave with toil and care
The rich robes your tyrants wear?

Wherefore feed and clothe and save
From the cradle to the grave
Those ungrateful drones who
Drain your sweat - nay, drink your blood

Have ye leisure, comfort, calm
Shelter, food, love's gentle balm?
Or what is ye buy so dear
With your pain and with your fear

The seed ye sow another reaps
The wealth ye find, another keeps
The robes ye weave, another wears
The arm ye forge, another bears

Sow seed - but no tyrants reap
Find wealth - let no imposter heap
Weave robes - let no the idle wear
Forge arms - in your defense to bear

With plough and spade and hoe and loom
Trace your grave and build your tomb
And weave your winding sheet till fair
England be your sepulture

"Abridged version of "Song to the Man of England" wtitten by Percy Shelley in 1818 and recorded for "The Disagreement of The People" - an album by various artists released in protest at the Criminal Justice Bill in 1994. We later used some of the musical ideas for "Gigabyte Wars"."

Source: LS Booklet

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5. REFUGEE (Heaton/Sullivan 1997)

My room is dark, and very small;
there's a place to wash at the end of the hall.
I hear strange languages through the wall,
I hear them shouting in the street below.
I listen now to anything, anything at all;
just to keep the ghosts away, not to let them come.

Lusala, she was the first to hit the ground,
running up the hill at the side of the house
One by one, in the screaming sun, my family fell,
the air alive with bullets, and the smell of fear.
Don't look back, don't look back, don't look back at all:
Their bloodied faces are here with me, now, in the room
Until the lights go out and the silence comes
don't fall asleep, don't fall asleep, just keep on running;
keep running, keep running, keep running, run, run, run
 
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6. HIGHER WALL (Sullivan/Harris 1987)

We're out here on the borders with our favourite few possessions
Traded stories whispered round the fire
As shadows in the searchlights, mugshots in the files
Waiting in the camps behind the wire
Kick the door until it opens, what you have you cannot hold
We are young, forever hungry, you are fat and growing old
Still every day you try to build a higher wall

We pick the leaves of coca, we stack the crates of cola
We wait upon the tables where you dine
And learn from you not to accept the little that we're given
To take the piece of silver where we can
Now clutching at these papers in another office line
We're staring from the darkness up at windows filled with light
And every day you try to build a higher wall

In my town we used to pray to idols sent from far away
From out beyond the dusty days, we heard your voices call
And in your town the streets are cleaned
The order stands, the sirens scream
You talk of peace, vacation dreams - and reinforce the wall

Now in the queues at immigration, in the border zone
We are your bastard children, all coming home
And every day you try to build a higher wall
Every day you try to build a higher wall
But your money cannot stop us
And you violence cannot stop us
No you will never stop us with your higher wall

"Released originally for "Thunder and Consolation", but then not included, the topicatility of this song increased each passing year."

Source: LS Booklet

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7. FAR BETTER THING (Sullivan 1990)

In the white washed cancer ward with my hot blood running wild
I see the pain behind your eyes and the search for a reason
And the knowing and the fear of the passing season
Now please give me strength to cut and to keep our secret
Please give me strange to cut

Ch: That the things we love may remain here still
There is time to wait and there's a time to kill
I see your outstretched hand through the closing door
But it's a far better thing I do than I have done before

And so it seems that murder's not so hard - I've eaten flesh and blood each day
And if I believe the things I write through the passing season
Then with a rifle in my hand and with a thousand reasons
I'll wait, far above the crowd in the summer sunshine
And history changes now, forever
That the things we love may remain here still
There is time to wait and there's a time to kill
From the barren land come the seeds of war
So it's a far better thing that I do than I have done before

"Recorded for "Impurity" but then not included this song was released by EMI without our consent in 1994"

Source: LS Booklet

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8. RAINY NIGHT 65 (Heaton/Sullivan 1996)

It's a silent scream in rain town
How far have we fallen now?
And the rain come, wash away
The promised land that is here to stay
We came back, things left undone
Like uncut stone
And little breathes and nothing fills,
Things broken.
Still, we're all looking for it
Still looking for it

It's a silent scream in rain town
My shadow hunts without me now
In for the kill, in for the kill
Still, we're all looking for it
Still looking for it
Now half killing ourselves
Still looking for it
.

"Extra track on Queen Of My Heart single.

Release Date:
May 1998

Also appears on vinyl version of Strange Brotherhood."

Source: The Complete NMA Lyrics Pages

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9. BD7 (Sullivan 1995)

Well the warm wind blew through the 60s
But it didn't blow much round here
Disappointment hidden in the jutting chin - 'we didn't want it all anyway'
White paint daubed on a gritstone wall, the words of the prophets told
And we smiled to ourselves every time we walked by
The junction up on All Saints Road
'It's a mean old scene'

It doesn't do much for business or the paper-crack West-End dream
The council took it down every now and again
But it was written up fresh and clean
Stick your head above the parapet
They're going to arrange to put you down
Bad stories in the clubs at night, scrap metal in a rusting town
'It's a mean old scene'

BD7 and October evenings of endless rain
The backed-up storm drains bubbling and hissing
And the cats all running for shelter, fur matted and drenched
Twenty-nine years on and nothing's changed
Though in the end they took it down stone by stone
But we're still laughing all the way to the edge
Of our beloved, unredeemable, desperate town
'It's a mean old scene'

"The song was written as a tribute to a famouse piece of grafitti that survived on a wall in Bradrord for three decades. This was the first of only three times that the song performed live and there is no studio version."

Source:LS Booklet

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10.F(sharp)NY (Heaton/Sullivan 1994)

Took a drink from the bottle in my coat
I can smell it now like it was yesterday
The cold November winds biting round those Bradford streets
Going downtown to the club where your band used to play
Well the years go by, and the choices come
We fall by the wayside one by one

Ch: And there's nobody left but you now
There's nobody left but you Stevie he was always just the quiet one

Got married, got buried the way that people do
Came back ten years later, tried to make up he was still young
With all the drugs and the girls and the stuff he thought he should have had
But you, your monsters became your friends
And you'll carry them with you till the bitter end

Ch: And there's nobody left but you now . . .
Only you, only you Somehow you survived, well I don't know how

And you still burn the same, maybe a little slower now
You remember the winter of '79 and going down in the rain to the Royal Standard to watch the Ruts play?

"Played live several times but never recorded in the studio, this version is from Leeds Town and Country Club in December 1994"

Source: LS Booklet

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11. SEE YOU IN HELL (Sullivan/Heaton 1995)

As we touched down on the tarmac, they strode out to greet us
It was under a blue snake-skin sky
With a handshake of welcome, they set their agenda
With their smiles never touching their eyes
We've been here before on the edge of a promise
Surrender is all that remains
But we'll see them in hell, we'll see them in hell
We'll see them in hell before then

You made me a coward - I can't stand what I've become
What I most of all regret is not what I did
But all the things that I left undone
Like nobody learns, and nothing is changed
You ask me to follow again
But I'll see you in hell, see you in hell
I'll see you in hell before then

 

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12. FREEDOM '91 (Sullivan 1991)

It's time to rebuild in Dresden, the great machines come a - rumbling in
The desecration of the ruins and everything that might have been
You showed me the square in the melting snow
As the light was begging to fade
Put your melancholy eyes betrayed you
Just as you have been betrayed
I get culture shock coming to the west - I can feel the wicked sting
I see all the stores glittering like food hold - beckoning the innocence ill
The constructed face of a civilized world, complete cosmetic control
But isn't far back to caves and trees
And it soon will be time to go

Freedom? I don't hear any more songs of freedom

121th street and rising western dream aspires
The snack kings like to drive German car there's children on for sale
The streets are left scorched and buried
There's twenty-seven channel satellite television
And gang murder Anpa from Tinseltown to sell a movie about Malcolm X

But freedom? I don't hear any more songs of freedom

So pined down and what do we get
A longer piece of rope for our sweet little necks
Sweet liberty and her faithlessness, faithlessness

Freedom? I don't hear any more songs of freedom

"Written after Justin took a train trip through the newly "liberated" countries of eastern Europe at the beggining of 1991."

Source: LS Booklet

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13. WANTING (Heaton/Sullivan 1996)

I'm wondering, I'm asking, I'm feeling, I'm seeing
I'm wondering, I'm asking, I'm reaching, I'm finding,
I'm wanting

I watched you get the things that you could buy
Raise your arms and try to fly
Face turned up towards the sun
Nothing that you dare deny
Because it's hunger that feeds you hunger that bleeds you
Falling forwards into nothing catching at the air
And everything still out of reach
With the chill of sweat drying on your back

I'm finding, I'm feeling, stretching, falling …

There is nothing that you can resist
But you must deny yourself first to get a fix
Another cure that don't exist - that's all there is
Because it's hunger that bleeds you, hunger that feeds you
Falling forward into nothing catching at the air

I'm wondering, I'm asking, I'm looking, I'm beginning

You and I, we walk these unforgiving streets
We get so desperate sometimes we can barely speak
And through the night the sirens scream
But just like us, they don't fix on anything
And we take our different poisons, the ones half chosen
And first comes the blinding flashing light
Then the wave of the blast and then the watching emptiness
Because it's hunger that feeds us, hunger that bleeds us
There is no end to this
There is no end to this

"Another song from the "Strange Brotherhood" session which was abandoned after being pilled in several different directions at once."

Source: LS Booklet

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14. STILL HERE (Sullivan/Heaton 1996)

Hey there, Matthew Hopkins are you listening to us - we're still here
Blood Stone, Tigers Eye, what the hell - we're still here
The dreaming Earth moving in your sleep - it's all real
And everything you tried to keep so secret will one day be revealed
There's grit in the oysters there's wind in the trees
There's a full moon rising and salt in the sea
And outside of the line
Still running - outside of the line

Heinrich Kramer, Jacob Sprenger - we're still here
Can you hear us Torquemada - we're still here
The rolling of thunder, there's holes in the sky
We'll meet you again on the opposite side
Outside of the line
Still running - outside of the line

The scent of the datura, the best of the drum
Seven by seven, all the ravens have flown
The crack of the lightning, there's holes in the sky
We'll meet you again on the opposite side
Outside of the line
By the earth and the fire and the water and air
By the blood pouring in my veins I swear
Outside of the line
Still running - outside of the line

 

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15. IF YOU CAN'T SAVE ME (Sullivan/Heaton/Nelson 1996)

In a nowhere bar-room in the east side of city
There was a strange smell of burning outside in the street
I was giving a sermon like the son of a preacher
I was high on revolution and wild with belief
Across the table she was lighting cigarette
And in the light of the flame her eyes flashed fury as she turned to me
She said - you're newer going to save the world
If you can't save me

In Calitry Hill, the sky turned black
And the wind blew the dust in the plastering heat
But the heavens were empty, no angels come
The only sound I remember was the crying of Mary and the mother's weep
And he cried out you're newer going to save the world
If you can't save me
It's all vanity and you're never going to save the world
If you can't save me

"Based around a two second loop from a jam in Justin's garage, this was a rough demo recorded in 1996."

Source:LS Booklet

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16. FALLING (Sullivan 1995)

I said - Father I'm going to change the world
He said - Don't you think that maybe son. It's changed enough already?
Don't try to justify the things you live by
This fear you carrying with you is not of your own making
Let it go - falling, falling, falling away

11000 feet, we're out of breath and still climbing up
High above the snow line in the glittering ice
And beneath us, like an ocean the white cloudy slowly drifting
Breaking up on the mountain
Let it go - falling, falling, falling away

Wasting all the years just waiting on the promise
Undelivered but still no broken
And the world rushed by you way out of control
Like a carousel of noise with wild winning tights

And sometimes we both sit here
Paralyzed with tension seized up tight
You want to make it save, you want to make it ok
But this fear you carrying with you is …. Of your own making
Let it go - falling, falling, falling away

"Performed live a handful times on the "Big Guitars in Little Europe" tour, but the only surviving recording of the song is this demo by Justin and Dave."

Source:LS Booklet

 

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17. TREES IN WINTER (Sullivan 1995)

All rise for the king in all his rage and glory
All kneel for the queen - her secret silver whisper
Across the snowbound field slowly the sad procession moves
And we follow them down into the cold cold ground

Remember the things that we said
The faith that we hold, the trees in winter
The things the we said, the faith that we hold
All buried in the earth and earth like stone

 
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18. KNIFE (Sullivan 1991)

Turn and the world turns on, we're riding out with the dawn
All fired up ones against like a thousands times before
Beneath the blessed sun and the coming day
And the years don't change a thing - the rush remains the same
And I fell like a knife, these days are calling
I fell like a knife, sharpened like steal
Touched by the hand of the gods on this golden mornings
I fell like a knife for non

Stopped on the way down to the sea on the wide and lonely road
The scene of summer nights and the warm fever of dreams
Beneath the falling stars, with the music loud
We're dancing spinning round in the wild cascading lights
And I fell like a knife

These days to remember where it was that we came from
What it was that we wanted before all the changes
And the hardest part is choosing and watching all the doors closing
No turning back, no turning back

Well the years and the miles don't change a thing
The blood remains the same
It's a dream in a dream in a dream in a dream
With the darkness rushing by again
And I fell like a knife

 
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19. BURNING SEASON (Sullivan 1995)

I'm sick of the sight of some snot-nosed kid
Cutting a swathe through the age of deconstruction
Picking at the sores of the dying beast
And winning all the prizes for imagination
I don't know what we've got to lose
But I see the statues beginning to fall
The deisel's turning, the moon is high

Ch: What the hell are we waiting for?
I see the smoke on the blue horizon
I smell the fires of the burning season
What the hell are we waiting for?

I'm sick of the ironies piled up high
In this sneery culture with its knowing smile
I'm sick of the sermons from the Church of Unbelief
All fat, empty and anaesthetised
The emperor's out riding naked again
I can't believe we're still playing this tired old game
Let's get out there and cut him down

Ch: What the hell are we waiting for? . .

On a smoky yellow sunset, I'm sitting at the wheel
As the traffic crawls by on the ten-lane
Bumper to bumper, nowhere to nowhere into the next millenium
I see you drowning in a sea of rage
Let's go back and get the ones who put you down here
The highway's jammed up with disinformation
And the anaesthetic dealers are selling by the million

Ch: What the fuck are we waiting here for? . .

" The mid nineties were an empty drifting time in Britain as the Tony monolith that had ruled the country for do long began to break up. This was song about impatince."

Source:LS Booklet

 

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20. COMING UP (Heaton/Sullivan 1996)

Kandy's coming home 11.45 today
I'll take the battered car and meet her down outside the gates
She says we're going back to where it all began
Now that the prices have been paid and all the penance done
I'd forgive her anything to make me feel the way she did
I'm not worried now. I'm not worried now.
We're coming up in the morning air
We'll cross the bridge just we get there

I don't care what comes any trick that fate can bring
We'll take on any cause, anybody, anything
One day I'll understand what it all was for
But I'm not looking back or thinking too much any more
And tonight out on Black Dyke Ridge
We'll pull the car on the side of the road
And watch the shooting stars and all the city spread below
We'll be check to cheek and all things we missed
I'm not worried now, I'm not worried now
We're coming up in the morning air
We'll cross the bridge just we get there

And all the hours go by and the faces pass
Their secrets held and eyes like glass
And there's always time, there's so little time
For us to be but maybe

And all the hours go by and I'm counting still
And I see her face and I see her smile
And there's so little time, there's so little time
For us to be but maybe
We're coming up in the morning air
We'll cross the bridge just we get there

 
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21. OVER THE WIRE (French Remix) (Sullivan/Heaton 1996)

Behind all the rusting cranes, in the lengthening shadows of the Empire days
there's a world that waits, but it's not needed.
In the teeming rows behind the goal - yelling for blood on the pitch below;
where does all the passion go when it's not needed?
Over the wire, and into the darkness . . .

Come evangelists of the Grand New Age proclaiming the future that they stole,
condemning the things they can't control - just like the priests before;
and now I can hear them call - the ghosts of the 1914-18 war
Where do all the innocents go when they're not needed?
Over the wire and into the darkness . . .

And the dawn it will come like blood across the sky,
Not the way that you think, not the way that you dream
In the silence of God, in the fullness of time,
like blood across the sky - the dawn it will come - the dawn it will come.

All still, like the pitshafts and the two-mile-down where they buried their hearts;
where does all the loyalty go when it's not needed?
In the plastic seats behind the goal yelling for blood on the pitch below;
where does all the passion go when it's not needed?
Over the wire and into the darkness . . .

" We have never really been into remixes, but this one took the song in such an unusual direction that we decided to include it into this collection."

Source:LS Booklet
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