Lost Songs
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1.
BROTHER (Sullivan/Heaton/Nelson
1995) |
"We
were in a German hotel room before performing at a festival when rioting
in Bradford suddenly appeard on the TV screen. It was a bad and tense summer
throughout the city and the song was born out of an incident at the end
of Justin's street."
Source: LS Booklet |
| 2.
SUNSET (Sullivan
1995)
Coming in at night all the desert highways |
"Written and demoed for Thunder & Consolation, this has not yet been formally released but exists on bootlegged versions of said demos and has been played live, on the odd occasion, by Justin solo." Source: The Complete NMA Lyrics Pages
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| 3.
SOUTWEST (Sullivan
1996) If I could save you, I surely would; I'd take the world with you, the way we should. I'd drown your violence in a sea of blood; I'd drown the pain for you in the breaking waves, I'd crown your innocence with the golden sun, I'd drown your violence in a sea of blood . . . South-west bound on the winding A-roads - days of scorched
brown rolling hills |
"Only official release as live extra track on limited edition CD single in Germany for Wonderful Way To Go and as a bonus track on the UK version of the same single." Source: The Complete NMA Lyrics Pages |
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| 4.
SONG TO THE MAN OF ENGLAND(Shelley/Sullivan/Heaton)
Men of England, wherefore plough For the lord who lay you low? Wherefore weave with toil and care The rich robes your tyrants wear? Wherefore
feed and clothe and save Have
ye leisure, comfort, calm The
seed ye sow another reaps Sow
seed - but no tyrants reap With
plough and spade and hoe and loom |
"Abridged version of "Song to the Man of England" wtitten by Percy Shelley in 1818 and recorded for "The Disagreement of The People" - an album by various artists released in protest at the Criminal Justice Bill in 1994. We later used some of the musical ideas for "Gigabyte Wars"." Source: LS Booklet |
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| 5.
REFUGEE (Heaton/Sullivan
1997) My room is dark, and very small; there's a place to wash at the end of the hall. I hear strange languages through the wall, I hear them shouting in the street below. I listen now to anything, anything at all; just to keep the ghosts away, not to let them come. Lusala, she was the first to hit the ground, running up the hill at the side of the house One by one, in the screaming sun, my family fell, the air alive with bullets, and the smell of fear. Don't look back, don't look back, don't look back at all: Their bloodied faces are here with me, now, in the room Until the lights go out and the silence comes don't fall asleep, don't fall asleep, just keep on running; keep running, keep running, keep running, run, run, run |
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6.
HIGHER WALL
(Sullivan/Harris 1987) |
"Released originally for "Thunder and Consolation", but then not included, the topicatility of this song increased each passing year." Source: LS Booklet |
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| 7.
FAR BETTER THING (Sullivan 1990)
In
the white washed cancer ward with my hot blood running wild Ch:
That the things we love may remain here still And
so it seems that murder's not so hard - I've eaten flesh and blood each
day |
"Recorded for "Impurity" but then not included this song was released by EMI without our consent in 1994" Source: LS Booklet |
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| 8.
RAINY NIGHT 65
(Heaton/Sullivan 1996) It's a silent scream in rain town How far have we fallen now? And the rain come, wash away The promised land that is here to stay We came back, things left undone Like uncut stone And little breathes and nothing fills, Things broken. Still, we're all looking for it Still looking for it It's a silent scream in rain town My shadow hunts without me now In for the kill, in for the kill Still, we're all looking for it Still looking for it Now half killing ourselves Still looking for it . |
"Extra track on Queen Of My Heart single. Release Date: Also appears on vinyl version of Strange Brotherhood." Source: The Complete NMA Lyrics Pages |
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| 9.
BD7
(Sullivan 1995) Well the warm wind blew through the 60s But it didn't blow much round here Disappointment hidden in the jutting chin - 'we didn't want it all anyway' White paint daubed on a gritstone wall, the words of the prophets told And we smiled to ourselves every time we walked by The junction up on All Saints Road 'It's a mean old scene' It doesn't do much for business or the paper-crack West-End dream The council took it down every now and again But it was written up fresh and clean Stick your head above the parapet They're going to arrange to put you down Bad stories in the clubs at night, scrap metal in a rusting town 'It's a mean old scene' BD7 and October evenings of endless rain The backed-up storm drains bubbling and hissing And the cats all running for shelter, fur matted and drenched Twenty-nine years on and nothing's changed Though in the end they took it down stone by stone But we're still laughing all the way to the edge Of our beloved, unredeemable, desperate town 'It's a mean old scene' |
"The song was written as a tribute to a famouse piece of grafitti that survived on a wall in Bradrord for three decades. This was the first of only three times that the song performed live and there is no studio version." Source:LS Booklet |
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| 10.F(sharp)NY
(Heaton/Sullivan 1994)
Took
a drink from the bottle in my coat Ch:
And there's nobody left but you now Came back ten years later, tried to make up he was still young With all the drugs and the girls and the stuff he thought he should have had But you, your monsters became your friends And you'll carry them with you till the bitter end Ch:
And there's nobody left but you now . . . And
you still burn the same, maybe a little slower now |
"Played live several times but never recorded in the studio, this version is from Leeds Town and Country Club in December 1994" Source: LS Booklet |
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| 11.
SEE YOU IN HELL
(Sullivan/Heaton
1995) As we touched down on the tarmac, they strode out to greet
us |
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| 12.
FREEDOM '91 (Sullivan
1991) It's time to rebuild in Dresden, the great machines come a - rumbling in The desecration of the ruins and everything that might have been You showed me the square in the melting snow As the light was begging to fade Put your melancholy eyes betrayed you Just as you have been betrayed I get culture shock coming to the west - I can feel the wicked sting I see all the stores glittering like food hold - beckoning the innocence ill The constructed face of a civilized world, complete cosmetic control But isn't far back to caves and trees And it soon will be time to go Freedom? I don't hear any more songs of freedom 121th
street and rising western dream aspires But freedom? I don't hear any more songs of freedom So
pined down and what do we get Freedom? I don't hear any more songs of freedom |
"Written after Justin took a train trip through the newly "liberated" countries of eastern Europe at the beggining of 1991." Source: LS Booklet |
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| 13.
WANTING (Heaton/Sullivan
1996) I'm wondering, I'm asking, I'm feeling, I'm seeing I'm wondering, I'm asking, I'm reaching, I'm finding, I'm wanting I
watched you get the things that you could buy I'm finding, I'm feeling, stretching, falling … There
is nothing that you can resist I'm wondering, I'm asking, I'm looking, I'm beginning You
and I, we walk these unforgiving streets |
"Another song from the "Strange Brotherhood" session which was abandoned after being pilled in several different directions at once." Source: LS Booklet |
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| 14.
STILL HERE (Sullivan/Heaton
1996) Hey there, Matthew Hopkins are you listening to us - we're still here Blood Stone, Tigers Eye, what the hell - we're still here The dreaming Earth moving in your sleep - it's all real And everything you tried to keep so secret will one day be revealed There's grit in the oysters there's wind in the trees There's a full moon rising and salt in the sea And outside of the line Still running - outside of the line Heinrich
Kramer, Jacob Sprenger - we're still here The
scent of the datura, the best of the drum |
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| 15.
IF YOU CAN'T SAVE ME (Sullivan/Heaton/Nelson
1996) In a nowhere bar-room in the east side of city There was a strange smell of burning outside in the street I was giving a sermon like the son of a preacher I was high on revolution and wild with belief Across the table she was lighting cigarette And in the light of the flame her eyes flashed fury as she turned to me She said - you're newer going to save the world If you can't save me In
Calitry Hill, the sky turned black |
"Based around a two second loop from a jam in Justin's garage, this was a rough demo recorded in 1996." Source:LS Booklet |
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| 16.
FALLING (Sullivan
1995) I said - Father I'm going to change the world He said - Don't you think that maybe son. It's changed enough already? Don't try to justify the things you live by This fear you carrying with you is not of your own making Let it go - falling, falling, falling away 11000 feet, we're out of breath and still climbing up High above the snow line in the glittering ice And beneath us, like an ocean the white cloudy slowly drifting Breaking up on the mountain Let it go - falling, falling, falling away Wasting all the years just waiting on the promise Undelivered but still no broken And the world rushed by you way out of control Like a carousel of noise with wild winning tights And sometimes we both sit here Paralyzed with tension seized up tight You want to make it save, you want to make it ok But this fear you carrying with you is …. Of your own making Let it go - falling, falling, falling away |
"Performed live a handful times on the "Big Guitars in Little Europe" tour, but the only surviving recording of the song is this demo by Justin and Dave." Source:LS Booklet
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| 17.
TREES IN WINTER (Sullivan
1995) All rise for the king in all his rage and glory All kneel for the queen - her secret silver whisper Across the snowbound field slowly the sad procession moves And we follow them down into the cold cold ground Remember
the things that we said |
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| 18.
KNIFE (Sullivan
1991) Turn and the world turns on, we're riding out with the dawn All fired up ones against like a thousands times before Beneath the blessed sun and the coming day And the years don't change a thing - the rush remains the same And I fell like a knife, these days are calling I fell like a knife, sharpened like steal Touched by the hand of the gods on this golden mornings I fell like a knife for non Stopped
on the way down to the sea on the wide and lonely road These
days to remember where it was that we came from Well
the years and the miles don't change a thing |
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| 19.
BURNING SEASON
(Sullivan 1995) I'm sick of the sight of some snot-nosed kid Cutting a swathe through the age of deconstruction Picking at the sores of the dying beast And winning all the prizes for imagination I don't know what we've got to lose But I see the statues beginning to fall The deisel's turning, the moon is high Ch: What the hell are we waiting for? I see the smoke on the blue horizon I smell the fires of the burning season What the hell are we waiting for? I'm sick of the ironies piled up high In this sneery culture with its knowing smile I'm sick of the sermons from the Church of Unbelief All fat, empty and anaesthetised The emperor's out riding naked again I can't believe we're still playing this tired old game Let's get out there and cut him down Ch: What the hell are we waiting for? . . On a smoky yellow sunset, I'm sitting at the wheel As the traffic crawls by on the ten-lane Bumper to bumper, nowhere to nowhere into the next millenium I see you drowning in a sea of rage Let's go back and get the ones who put you down here The highway's jammed up with disinformation And the anaesthetic dealers are selling by the million Ch: What the fuck are we waiting here for? . . |
" The mid nineties were an empty drifting time in Britain as the Tony monolith that had ruled the country for do long began to break up. This was song about impatince." Source:LS Booklet
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| 20.
COMING UP (Heaton/Sullivan
1996) Kandy's coming home 11.45 today I'll take the battered car and meet her down outside the gates She says we're going back to where it all began Now that the prices have been paid and all the penance done I'd forgive her anything to make me feel the way she did I'm not worried now. I'm not worried now. We're coming up in the morning air We'll cross the bridge just we get there I
don't care what comes any trick that fate can bring And
all the hours go by and the faces pass And
all the hours go by and I'm counting still |
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| 21.
OVER
THE WIRE (French Remix)
(Sullivan/Heaton
1996) Behind all the rusting cranes, in the lengthening shadows
of the Empire days Come evangelists of the Grand New Age proclaiming the
future that they stole, |
" We have never really been into remixes, but this one took the song in such an unusual direction that we decided to include it into this collection." Source:LS Booklet |
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